Wednesday, December 25, 2024

Reflections from the Pond



I am sitting out side and it's before dawn, the sun just has started to light the sky, and it's Christmas morning.  The weather is promising another sunrise over the pond, it is a sprightly 4 degrees; the frogs and geese are all but silent across the pond.  Alexa rings the workday alarm, seeming oblivious to the holiday and how some of us would rather just celebrate the promise of another spring, or the uncomplicated life and promise of a man who walked the earth at the year zero and abandon the gifting, the race to the markets, the crowds and the fuss. 

The pond comes from nowhere when it rains enough.  In this valley of mostly flat, the waterways are a mystery.  There's no clear understanding of downhill, and were it not for the 36 foot drop to the ocean, 100 miles downstream, the water would have no where to go. Scouring the maps and charts, both new and historic, I have found no mention of the waterway that produces the pond.  To the north is a creek, Dry Creek, which would be a menace were it not contained by levees.  It frequently floods the roads and the town it runs through. To the south is Magpie creek, which is led through concrete channels until it eventually meets Steelhead creek, an ungraceful canal draining to the river.  In between lies the pond.   

Despite the lack of indication on any map, the nearby road over this puddle declares in stenciled letters, "Robla Creek OC", and down the way a bit is some facility with the moniker "Robla Creek."  There are references in flood control projects referencing the "Dry and Robla Creek mitigation project".  

We pretty much live in this uncharted creek. If it rains more than a lot, the pond fills beyond constraint and surrounds the house. This isn't necessarily bad.  It teams with life and the caroling of the frogs is a welcome indicator of the changing season.   The fritter of daily life is held at bay by the pond and there's a quietness, a stillness, that emerges, despite the capital nearby.  It's perfect for reflection. 

When my siblings were alive Christmas was a family event with turkey and hot toddies. Santa would come early, and sometimes couldn't put the bicycle together ...  everyone would overeat to their own punishment. I often described it to my friends as a Rockwell painting.  My grandmother, and later my mother, would express themselves as the matriarch in the kitchen with all the heart they could muster.  

When I went to grad school I quickly realized that those days were gone.  I often would drive out to the beach, as I had done a few times with my brother; my children spending Christmas morning with their mother and I enjoying the memory of my brother. Still, a big Christmas dinner and Christmas eve with my family with me sometimes driving thousands of miles to be there.

The passing of my mother changed that.  Now, the remnants of my family are spread like the leaves of an old maple.  The last time we all got together was after the last of my siblings passed. 

At that gathering I did what I've often done, giving something of mine as a gift.  Historically, these "Used" gifts were not always well received.  Giving a gift of my tattered copy of the "Fountainhead", or a plain unadorned 150 year old black lacquered antique Japanese sewing box were greeted with something less than joy, despite the apparent richness in them that I perceived.  At Christmas that year, in the spirit of my uncle who always came through with some cool sports gear, I gave my nephew a baseball signed by Willie McCovey from my collection.  I secretly hope he's swinging a bat at that in some sandlot.

I don't give many gifts these days at Christmas.  What I try to do is give something every day if I can; if I want to give something as a gift, I just give it immediately, there's no reason to wait.  Giving the 20 dollar tip for the door dasher, the ever present work to improve our lives, the vegetables from the garden to anyone that would want them, some book from my library; this fills my life. 

I also have a reflect differently on the gifts I've been given.  Lately, I've spent a bit of time out by the pond thinking about those gifts, enjoying the sounds and sights around the pond.  The geese are waking up, clamoring about some unknown, perhaps just which pond to sit by next.   

 

Thursday, August 15, 2024

Watercolor Painting Materials

 Watercolor Painting Materials List

Paper -- My favorite go to paper is Arches cold press or rough.  A paper for watercolor should have a good sizing, and resist coming apart if it's very wet. 

Paints, I don't have any sort of brand attachment here, but I am a stickler about permanence. My choices for the colors on my palette start with a good colorful way to make a solid dark color and a warm and a cool for each of red yellow and blue.  I am sure it will be better for a new student to use a limited palette, that is still robust enough to produce good results.  

If you need a reference regarding permanence, Taubes or Mayer have defined the standard for Artist's materials. There has been a trend toward making some of these colors cheaper by formulating dyes to simulate the color, which results in different behavior of the color and perhaps a reduction in permanence.  

Any reputable brand of transparent watercolors in these colors: 

Payne's Grey 
Ultramarine Blue 
Burnt Sienna
Alizarin Crimson
Cadmium Red Light
Yellow Ochre
Cadmium Yellow Light
Cerulean Blue

 From a previous post where I talked a bit about my palette: 


Paint -- From left to right. You don't really need all these colors.  The pthalo blue and alizarin  are powerful colors so there a bit of effort required to manage these.  In general the organization is to make it easier to mix the colors I mix together the most, and to keep some of the pale colors near the top.  
 
Ultramarine Blue 
Alizarin Crimson 
Burnt Sienna -- In the corner
Cadmium Red Medium
Cadmium Red Pale 
Yellow Ochre 
Cadmium Yellow Medium 
Cadmium Yellow Pale
Cerulean Blue 
Payne's Grey 
Thalo Blue 
Burnt Sienna 
Burnt Umber

This arrangement keeps the yellows and pale blues fairly clean and provides for a variety of greys and blacks.   


 

Brushes
 

Although I have a bucket of brushes, mostly I use two or three.  A 1" flat camel and a #8 sable round made by Dan Smith.  I rarely use any other brushes.  I have a rigger and the small #4 which is nylon.  Sometimes when I want to wet a large area, I will use a 3" house painting brush. 


 

My collection of brushes is pretty extensive and includes several hundred brushes and meets the requirements of about 10 unique disciplines. All of the brushes in this picture are specifically watercolor brushes.  I have a collection of mops and flats that go beyond the simplest of requirements.  You probably need three: a round #4 and a round #10 or #12 and a 3/4" flat. I occasionally use and old toothbrush.  

A Palette

There is every variety of palette out there, my preference is a flat enameled tray.  Plastic palettes are workable, but I find that water tends to bead up on the surface.  The paper pallets sold in pads don't work well at all, so save that money, If you scrub the enameled tray with an abrasive cleanser it breaks this tendency to bead up.   

A container for water and a sponge.  The container could be a gallon plastic bucket.  I like it to be big enough so I can shove my hand and a sponge into it.  Watercolor painters prefer the Elephant ear sponge, but I have a variety, Sea sponges can get funky, so it's useful to get them dry after using them.  A cellulose kitchen sponge with scotch brite might be useful.  

Things that you might never need include glycerin (slows drying), alcohol (speeds drying), salt (causes paint to have light spots), and liquid friskit (a masking  fluid, which will wreck your brushes).  I also have a small tube of white acrylic paint which I might use to restore some white color to the paper. A razor blade might be used to the same result. I sometimes use a hair dryer to move things along.


Tuesday, August 13, 2024

Vietnamese Restaurant

 Oh, well a few years ago we moved to Sacramento ... 

It was slutty and ugly, and there was a pandemic.  Pods and storage and friends and oh, all of that misery.  Our routines kind of got wrecked, too. No more Saigon City, or Tokies or even that Kobe place ...we really lost our moorings and despite Sacramento's reputation as a food destination, we just didn't know. We have no idea still, where to eat.  

We asked one of our friends about Vietnamese food here and, because his daughter married into a Vietnamese family ... we said oh yeah.  Viet recommended a place and it rocks, it was crazy good.  

Bánh Cuốn Tây Hồ Restaurant. We went there and it was awesome.  The spring rolls kind of win the farm. 
 
Sunday though we went there and on my wife's insistence, we varied our approach.  I had noticed a place that was a "Cafe and Grill" on my previous visit.  It's all tied to my wife's insistence that I use the Chinese Traditional Medicine.  If I want to buy the herbs I go to a store near the restaurant. It prompts food and ... it's really good.  
 
On Sunday though we went to the "Cafe."  We were in another time zone.  I commented on entry that no one was eating.
 
We picked some things off the menu.  It was difficult to order and the hostess was a piece of candy.  And the waiter.  I had some soup that had a variety of meats I don't usually eat.  Gloria tried to get standard version of Pho, but got the egg noodle version.  
 
So I think everyone was gambling.  
 
The weird  bit of it all, was that it was a place were Vietnamese people gather to be Vietnamese.